rekids latest signing peggy gou serves up two subterranean slices of quality with l.i.e.s. producer terekke providing a remix. the south korean artist, who was raised in the uk and now resides in berlin, kick started 2016 for rekids with her art of war release. she now returns to radio slaves imprint with a sequel. jen high boasts a heady bassline whilst quivering synths make way for serene key melodies. ‘when round, they go then deploys robust kicks as ebbing pads join acid licks, before germanys terekke provides a floating rendition comprised of soaring atmospherics and jazzy aesthetics.

key artist of the lumie&#768,,,,,reslanuit (lln) booking agency, david is also becoming a key artist for the label. right after his remix of roisner s piano roll ep (lln003) for the london-based label first year anniversary special release, david k is back with a solo ep: wrung door (lln004). according to david: wrung door oscillates between cold and warm, deep and groovy universes with a strong industrial touch, whereas lightly dark mimics the musical elements of wrung door but uses them in a different way in order to guide the listener to a different world. finally, broken swatch is a rather narrative and lyrical track. in summary, wrung door (lln004) gathers in one ep the two different sides that lumie&#768,,,,,reslanuit aims at developing: one refined and crisp and one dancefloor-driven.

** repress 2016 ** hnny strikes again with his second 12 inch on local talk this year. the lead track tears puts hnny back in peaktime territory and as with previous tracks yearning and for the very first tim, hnny shows you do not need many ingredients to serve classic house flavours, just the right amount of grit and a irresistible vocal. first out on the b-side is gymnastics, a blistering disco number or as tooli described it >a 100% string-stomper<. ending this 12 inch is no tears, a dub version with all the key details from tears but also goes deeper and with more added efx. an absolute guarantee to jack your body. local talk is talking to you

a key label on the berlin scene since the 1990s, muller records—famed for a deep and chunky club sound from artists like dave dk, claude young and the hacker—is back with a new ep from beroshima feat rummy sharma with remixes from namito and pascal hetzel. beroshima, of course, is the production work of label frank muller sometimes accompanied by ethereal electronic music specialist ulrich schnauss. after more than twenty years together they have amassed a fine body of work that includes five albums and more than a hundred eps! always mixing up acid, techno and tribal into something fresh, the beroshima sound has its own unique signature.... for this latest single muller steps up solo to produce another gem. the stellar delhibelly is a slick and muscular cut that bubbles away on a bed of warming bass....

for our 50th release on delusions of grandeur were pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing dog artists and veritable newcomers alike. part two opens with underground quality key player son of sound who brings a bucketful of attitude on under the son, laying down a rough-edged groove and getting on one with his vintage keys.

red ember records is still legendary in certain circles despite shutting up shop 15 years ago. after some time out of the public eye, though, ewan jansen himself is still very much in business, and here he is with four brand new cuts on his debut for chez damier’s inner balance label. after the appropriately pastoral intro to ‘harvest’ we dive headlong into a flurry of vibrant, detroit-influenced programming of the kind kept alive all these years by rei loci and kirk degiorgio. ‘sines of life’ takes a well-earned breather on the flip, its laid-back setting and all-enveloping bass a massage for the weary body and soul. finally the mood turns playful on ‘square dance’, the chopped, breaksy and off-key groove completely at home alongside uk technicians norken, herbert and ben nevile. it’s rare for people to stay on their game for this long but, as this ep aptly demonstrates, ewan jansen is no ordinary musician.

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

ashworth concentrates on the essence of solid techno in his first full ep for made of concrete. inspired by the main component of concrete itself, the material is intitled ‘portland’ and consists of no less than four original tracks. “world” makes for a gentle introduction by opening with a soft melodic lead, swiftly changing the tempo after a few measures. we’re quickly immersed in a syncopated bassline peppered with whirring synths that harmonise with full scale piano cuts, the most intriguing earworm on the entire cut. on “launch” the producer lays down hard hitting techno drums from the get-go, setting the foundation for a tense atmosphere. ashworth’s signature move quickly ensues, as he manages to inject emotion through synths and piano pads into an otherwise tense and anxiety-ridden ambiance. toning down the graveness of the previous tracks’ mood, ”mineral” reveals a surrendering groove, with a stripped down, minimalist approach, where the melody is assembled with the help of industrial elements, emotive bleeps and electric glitches. ashworth’s experimental edge is evident in the final track “scatter” - the sub bass lead creates a morose atmosphere paired with low-key synths and mechanical loops. while the first two tracks showcase ashworth’s ability to instill life into solemn techno soundscapes, the second half of the ep successfully exhibits his edgy experimental side, adding up to a heterogenous release.

much-celebrated kompakt staple the field returns to the spotlight with new album the follower, his fifth full-length offering after from here we go sublime (kompakt rsd 02 cd 57), yesterday and today (kompakt 193 cd 72), looping state of mind (kompakt 241 cd 94) and cupids head (kompakt 290 cd 110). swedish soundsmith axel willner is well-known for his mastery when it comes to the allusive layering of loops, but it was with his last album cupids head that a newly-found, somewhat pressing snappishness started to replace the soft-hued sonics of his ambient-infused techno, imbued with a darker mood and stronger footing than before. a carefully gauged balance of stoic motorik and gloomy drones was key here - just as it is for the follower which goes even further in blurring the lines between concrete experimentation, body music and precisely laid-out arrangement, leading to one of the most rhythmically and texturally engaging listening experiences in willners catalogue.

two generations of italian music history come together on this split 7inch. milan meets rome, fred ventura meets alessandro adriani. for this occasion adriani and ventura covered the 82 evergreen changing by bill bruce. the perfect combination to pay homage to this monumental piece of music. on the flip side fred s early 80s new wave band state of art got the remix treatment by alessandro s moniker newclear waves. another unique match of these two key figures preserving the 80s underground sound of italy.

the return of the original palingsound from rotterdam. the paling trax imprint continues in 2016 with two fresh releases. paling trax 2 is a split ep featuring one of the label s curators, lenson, who has invited koperen koos coastdream from brazil. fresh, raw club techno cuts! support by ben sims, bodyjack, charlton, stranger among others.

arts is aiming for the future of techno music, this is the debut of infektion, key to the body and mind movement. 3 perfectly crafted cuts, with the vision of the label boss emmanuel.

micronation is the frank agrarios new label. after some key releases on internasjonal, tom tom disco and maxi discs frank decided to start his own vinyl label. micronation is a declaration of independence, frank makes his own rules, passports and stamps, while music is the currency. 02. percussion, deep bases and franks trademark dubby dealys are all there. bottin provides a killer rmx ready to destroy any dancefloor. early support from soul clap, jimpster, munk, swayzak, mammarella and thomas von party.

a-side is for paying respect! librarian samples these classics from the library and delivers two exquisite pumping house tunes. tape003 is gets you through a dreamy ride while -bronx key- brings in the classic 909 vibes! the other side delivers originals from strip steve and straydogpalace which follow absolutely no rules. -last one and i m out continues developing the dream from -tape 003- while one bedroom apartment is just in its own galaxy of sonic experiences. words are irrelevant, music speaks for wxtfx001.

known for his contributions for lumberjacks in hell, seven limited or black key records, giovanni is a talented musician/dj from south italy, producing music for over a decade now. for his faces records debut, gio is going deep, straight back to his latin/jazz roots with la dame et le conga and what u feel like. while paying tribute to the old ny/garage sound on tell you what i do cherry on the top, detroit legend rick wade offers a new take on the title track, crafting a magnificent deep mix of la dame et le conga recommended to every deep house fans and children of the drum

way back in 1996, at the height of the widely acknowledged golden period for electronic music, d-saw a.k.a andré winter released a true classic on hamburgs highly influential superstition label. track 10:30 stood the test of time, becoming widely regarded as a key moment in european techno music history, despite its modest impact at the time. now, 20 years later, andré revisits the source material courtesy of some killer remixes on oliver huntemanns senso imprint. hamburg’s own h.o.s.h. (holger behn) delivers an epic twist to the cut, widening out the spaces and adding his own techy signature to the original. re.you offer up another flavour altogether, maintaining the iconic synth pulse of the source but introducing an infectious, driving groove. dubspeeka throw a bit more grit in into proceedings with a tough, machine funk mix, while andre winter himself reworks his classic into a slow burning groover that effortlessly showcases the elements that make this track so timeless.

altered moods recordings makes its first artist foray into asia, more specifically, it sets its sights on nagano, japan, where it finds a fertile and quickly expanding underground scene and one of its key players, yoshiki tsuchiya, also known as miruga. miruga has made a big splash in his relatively short arc as an underground artist. he came out strong in 2012 with human tube on anton zaps bellwether ethereal sound label after a full-length digital album on logos recordings two years prior.

** released on vinyl only **!!
in the space of two short years shlømo has quickly established himself alongside the likes of marcelus, bambounou, francois x and the antinote records crew as a key figure in paris’ current techno generation. having established his own taapion records label in 2013 and built a roster around a core of local producers including roman poncet, pvnv and antigone, in addition to enlisting stephen brown, conforce and sterac as remixers for the label’s releases so far. for its fifth release, bright sounds - run by fellow parisian kennedy smith - revisits last year’s rechaïm ep (bsrx003), with a trio of remixers offering their own takes on shlømo’s established deep and expansive sound. first up is the aforementioned 50 weapons artist bambounou, who offers a dynamic groove-based version of the title track that bounces along an elastic kick drum with cut-up fragments of the original’s atmospheric pads providing further impetus. label owner kennedy smith takes on theory is the worst by bringing its dub textures to the for while filling the track’s empty spaces with intricate drum patterns. finally, italian techno pioneer donato dozzy turns grounded queen into a classic dozzy slow-burning techno trip, with his trademark layered sound complimenting the track’s subtle rhythmic backbone.

der mitgründer des labels atomnation, pascal terstappen, präsentiert mit -for- den bereits vierten longplayer seines projekts applescal - und erfindet dessen sound gleich mal neu. hörte man sich terstappens output aus den vergangenen jahren an, so lernte man seine sorgfältig gebauten tracks und remixes schätzen, in denen verspielte percussion-strukturen und außerweltliche melodien in kompositionen mit einfließen, die sich irgendwo zwischen sofa und dancefloor bewegen. applescals voriges album -dreaming in key- bekam großes presselob und wurde von djs wie gilles peterson, laurent garnier und daniel avery gespielt. -for- klingt ähnlich unbekümmert, dennoch wagt sich der niederländer hier in tiefere gefilde. tracks wie -like you do-, -matter- und -overseas- tragen dieselbe handschrift träumerischer synthesizers und prickelnder grooves, ansonsten klingt die soundpalette reifer und selbstbewusster.

ahead of him releasing a full length album on mos in 2016, key label artist marcoantonio spaventi is teasing us with a three track prelude ep. spaventi hails from italy, but is based in amsterdam, and is someone who deals in misty, chicago referencing house sounds that are loaded up with a real sense of analogue jack. as well as on mos he releases on slow motion, most excellent ny and pizzico records, and in summer 2015 he put out a leftfield electro, italo, soundtrack and disco full length, viaggi, that showed he has great range in the studio.

ahead of him releasing a full length album on mos in 2016, key label artist marcoantonio spaventi is teasing us with a three track prelude ep. spaventi hails from italy, but is based in amsterdam, and is someone who deals in misty, chicago referencing house sounds that are loaded up with a real sense of analogue jack. as well as on mos he releases on slow motion, most excellent ny and pizzico records, and in summer 2015 he put out a leftfield electro, italo, soundtrack and disco full length, viaggi, that showed he has great range in the studio.

the cyovac machine is held together by a team of like minded artists that work to move production forward. cryovac functions to preserve the soundcraft of thees artists into the vinyl format. cryovac vinyl is pressed by a.garcia at archer record press in detroit. the cryovac operates to push music that represents the soul of its maker. sierra sam and pascal hetzel bring the smooth techno feel of berlin and an analog savvy to fist side of cryovac #14. they combine for two minimal machine soul bangers that zone your mind and move your body. spam burrito is the creation of a.garcia and kieth kemp. this combination rocks out choice wavs that have been tweeked to perfection under the rising and falling of effects. dave powers choses the low key emotional path of ever an evolving synth moving an intelligent knock. the 14th edition of cryovac is a must hear.

hot on the heels of his brilliant superfoods trilogy of albums on bbe, australian production powerhouse inkswel returns with a brand new solo effort entitled unity 4 utopia . stellar collaborators steve spacek, recloose, crazy p, lay-far, kid sublime, mark de clive-lowe & colonel red all make an appearance help to make inkswel s quest for musical utopia a reality, and the album certainly does not disappoint. as the man himself puts it: -we need to work together if we want happiness and furthermore if we want positive change- this is mirrored in music, collaboration being key-. echoes of early hip hop, 80 s boogie, disco and house can all clearly be heard, all woven together by inkwel s uniquely soulful, futuristic yet vintage production style. drawn together by an abundantly positive feeling, vocal performances and beats are all faultlessly smooth and highly polished, but somehow the album retains a real sense of fun. already touring tirelessly, unity 4 utopia could well be the project which elevates mr inkswel from an underground phenomenon into a household name.

after the success of last years various artists backpack ep, french house label d3 elements is back with another fine four track affair that pulls together some key producers. detroit soulful house star terrence parker is back once again, and he is joined by d-knox, dan curtin and techelectro.

jsm&#1025,,,, is a label project from saele valese, a low-key berlin-based artist who draws inspiration from the works of the american photographer francesca woodman. its second records, her eyes are an abyss, comes from hamburg-based music producer spr.

immersed in the early days of the 90s midwest rave scene, bill converse began djing at a young age in lansing, michigan. luminaries such as claude young, traxx, and twonz were key early influences. since moving to texas in 1998, he has experimented with analog techniques in varied studio bunkers. early techno, noise, ambient, tape, and paranormal processing are all part of his uncanny sound palette.

theres a reason kai alces name consistently comes up when the topic is exceptional house music. the ndatl label boss remix of the dangerfeel newbies * what am i here for* takes the soulful number to heights beyond the originals already heady groove. j piccola sings with a perspective thats like bopping through the city, skyscrapers above giving dimension to the groundwork so necessary for love and progression. his vocals match the pace of propelling keyboards by chris irvin and delvynw. saxophone by quinn mason adds an element that in alces distinctive hands becomes a part of all things classic house: deep, melodic, and ultimately, free. thats particularly true of the kzr’s late night mix. it harkens the wee hours with a shuffle, leading keys and pinpoint bass. the piano instrumental puts keys front and center, with a few jazzy chords that recall the hippest, dopest brunch you’ve ever attended. the entire project is very much atlanta-grown, representing its strong, interconnected music and art scene. all the key contributors are based in the city, from alce and the dangerfeel newbies, to acclaimed visual artist radcliffe bailey, who created the album art, and tastemaking graphic artist steve deniro, who designed the album layout. after small promo run in japan the gem gets a full worldwide release with alternate mixes and kai alcés bonus distinctive remix of * swingin with the new jack* previously unavailable

second volume of the hit+run presents “road kill” compilation series on limited-edition 12” colored vinyl. now on vinyl for the first time “road kill vol. 2” features fourteen hand-picked tracks that originally appeared on the compilation’s cd/digital release. each of the 400qty records pressed is a unique mixture of black & bone colored wax. the record comes housed inside a shrink-wrapped full-color offset printed jacket.

my favorite robot very much prizes quality over quantity, and so it is that they offer up their carefully chosen autumn vinyl release, namely another landmark ep from key label artist eric volta. fleshing out his killer originals are remixes from swiss star deetron.

direct from the deepest corner of the southern hemisphere, a.k.a. perth, western australia, good company records is a new outlet for the music of our west coast underground , born out of four years of parties and a newly-opened specialist record store of the same name. release number zero-zero-two comes from north perth riddim doctor phil stroud, two extended instrumentals offered generously across two sides of the same 12- black plastic disk, equally suited to solo meditation or dance floor evocation! side a is drum workout the forest , sounding in the mix or on the breeze not unlike a mid-summer, mid-noughties villalobos set echoing through a european wood. side b is the beachside dawn of yemaja , a glistening ode to the goddess of the same name that features the dewy key-tones of yazist vaapa s jack doepel. limited quantities

after the big success of the reissue of “mbg ep one”, we are proud to introduce the release of optik “music harmony & rhythm”, another great ep originally released in 1991 under mbg international records. optik is the alias of giorgio canepa and ricky montanari, two of the most talented italian producers from the early 90s italian underground-house movement. in this ep we find two killer deep-house tracks, “music harmony and rhythm” and “illusions”, two great examples of the italo-house touch of the early 90s that we found in a lots of other productions by mbg, don carlos and key tronics ensemble, to name a few plus “illusion” which is also sure an epic track, it was the last disc played at vae victis (misano, italy) and the first disc played at novenove (gradara, italy), two of the most famous italian after hours of the 90 s era. fully re-mastered, dmm cutted, re-pressed & re-released for 2015 in it s original format from the original mastertapes, with the permission & participation of all rights holders with all original mbg label artwork intact.

only 100 copies - no repress!

• great new four track package with key remixers on board
• printed insert included
• *infuse* is a track that channels the energy that j. tijn is known for into a dancefloor focused track that masterfully builds in energy

* vin ploile* is a gaseous kinetic atmosphere full of tangible rhythm patterns & modular synth pad
since his first ep * tips* on lucianos label cadenza in 2007 producer and dj petre inspirescu emerged into one of the key figures of the romanian electronic music scene.

known for rocking clubs as far as tokyo, new york, sydney, auckland, moscow and beyond- outside of productions inkswel has gained a name of respect when it comes to rocking the dance floor. early bboy fundamentals have salted his finely tuned craft, with a broad back catalogue of productions on labels such as bbe, rush hour, lumberjacks in hell, superior elevation and wolf music. oye records now brings his first ever edits release- previously only heard on dancefloors, jams that inkswel reconstructed for that purpose only- -making people dance . serving as tools for the groove, but unmistakably with the inxxxwel trademark sound. super limited pressing, launching the official oye edits imprint- party jams for party people.

cavalier deliver their first 12 inch. koloman trax steps up with three dreamy, deep and distorted house excursions. channeling thumping machine beats, winding pads and tape saturated grooves, all combining to make one introspective, infectious debut.

gari romalis keeps on surprising us all, with his amazing ability to produce solid chicago laced beats, full of groove and brimming with soul. so far his music has been released on some highly respected underground imprints, such as rawax, rue de plaisance and bosconi records amongst a long list of others we couldn t be happier to have gari joining us on our vinyl catalogue, plus, along side him for remix duties, esteban adame, half of the renowned los hermanos. esteban is a key member on the ur crew and has been also releasing incredible music on labels such as underground quality, or his own ican productions, which he runs in collaboration with santiago salazar.

the miles davis classic album from 1970 back on 180 gram double vinyl in gatefold sleeve.

very limited 2015 repress! supported by: luciano, loco dice, raresh, tania vulcano, nick curly, reboot, sebo k, valentino kanzyani, laurent garnier, matthias tanzmann, ben watt, jimpster, federico molinari, ray okpara, martinez, frank roger, varoslav, okain, kiki, anthony collins.. all inn records look to kick-start 2011 on full throttle, and return to their homeland, for a label debut from, premiesku aka. livio & roby vs george g. the premiesku project was launched with releases for desolat and cecille, and it gives all inn records great pleasure to join those labels, with todays stunning three track ep. a collection that perfectly portrays their music vision. lead track >hooman< matches precise house beats, with a contrasting and cascading waterfall of twinkling keys. >virgula doi< takes us deeper. with its electronic bassline, and smooth stabs, it gives off some real >west coast< swing. rounding out the ep is >patru<. a wonderfully cinematic piece, with lalo schifrin-esque cymbal work, hammond stabs and wandering key melody, it is the pièce de résistance!

anouka started a year ago with her first sets on soundcloud and the response was incredible, building her fan base consistently. her debut ep traveller is released on soso, the label that she runs together with zusammenklang and oliver schories. the ep reflects what anouka always tries to express in her sets: showing that melancholy and happiness are very close together and they can work harmoniously. she recorded the vocals for both tracks by herself, which was challenging yet very rewarding. frequent traveller kicks things off nicely with its melancholic moodiness shining through as we meander effortlessly through berlin inspired melodies, while the sultry vocal sits wonderfully on top adding an extra layer of depth. christopher schwarzwalder is on remix duties, and from the off creates tension as this atmospheric rework subtly growls as it grooves. its sparseness is the key here, as this restrained gem works its magic. liberty is next as it tinkles away, creating a warm glow, and its caressed with its spoken french vocal, creating an air of sophistication. and rounding things off nicely is the midas 104 remix. this mystical touch up takes the energy levels up a notch, but increases the melancholy further and adding an air of just the right amount of wonkiness and quirkiness.

diynamic are delighted to present a brand new ep from long standing family member and key label player h.o.s.h.. after a great summer playing diynamic events in ibiza as well as many other gigs around europe, he is now back to prove his production chops are some of the finest in the game. this new cilantrophy ep, which comes a year after his well received forever young series of eps and is his first outing in 2015, kicks off with „cilantro“. this one is a deep and bubbly tech house number with scurrying drums and hi-hats as well as surging synths, wavy chords and plenty of twinkling melody that really shines bright.

ephemerals new album chasin ghosts is the follow up to their breakthrough album *nothing is easy* and looks set to further build on the fast growing uk and international fanbase that saw them tour their debut extensively, including shows at key festivals like glastonbury, bestival and mostly jazz and score a sync in hit us tv show homeland. pressing on transparent vinyl.

tel avivs red axes are back on im a cliche for the second instalment in their ongoing shem series.

special double pack for all you polar lovers out there - contains 2 classic releases:
- polar003: raycoux jr. & stefan barth / fabian reichelt - pegasus ep
- polar005: various - uranus ep

music for dreams are extremely proud to announce the first-ever vinyl release of *cantoma*, the debut album from legendary café del mar dj and collector extraordinaire, phil mison aka cantoma. left, right and center, phil has been one of the key players in the chill out/balearic scene and today is more in- demand than ever playing festivals and clubs all over europe - recent gigs include playing dj harveys birthday bash at pikes in ibiza and alongside nyc icon justin strauss. his first album, the self-titled cantoma, was originally released back in 2003 and quickly become a modern chill out classic selling over 15.000 copies with tracks featured on more than 150 compilations and supported by quality djs such as ross allen, idjut boys, moonboots, harvey and many many more. triple vinyl release limited edition to 300 copies.

2gb usb key (incl. three 77 mixes) packaged in a can. limited to 100 copies.

phil evans solo vinyl debut -incredible deckshark ep- is a quirky and playful minimalistic 4-tracker. snappy grooves accompanied by moody chords are the key for this outstanding piece of work

resolutely electronic, ambient and experimental with a techno key, küjuu delivers an exploration jerked and pulled about, meeting distance universes behind melodic songs found in first titles. percussions and harmonic beats makes travelling alongside a tumultuous path and at the same time, melancholic and & deep. sincerity and compositional skill, this ep takes mystery under an overpowering and rough deep bass made listening and elastic, propelling an evocative and ethereal line.